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THE HUNGER 1983 FILM
The Hunger opens with Catherine Deneuve and David Bowie Picking up a very hot looking couple at a club, driving them out to a place in the burbs and having their way with them. Doing to them what vampires do to folks, drink their blood of course. David Bowie is a companion vampire to Catherine, David begins to wither and he does it very quickly and so Catherine must get a new companion. Enter Susan Sarandon Catherine’s next victim, or is she. In this film, genetic material (similar to a virus or prion) is passed from true vampires (a different species) to create temporary vampires (a few centuries or so) from humans. The human vampires act as companions until they eventually wither. Unfortunately for the human vampires, they never die … Read entire article »
Filed under: Movies
CHASING AMY 1997 FILM
I have a “love-hate” relationship with Romantic Comedies. I really enjoy a decent one – and a couple of examples I’d consider “decent” are “While You Were Sleeping” and “When Harry Met Sally”. I also recognize that there is probably no other movie genre that is as suitable for “date night”: It’s where men and women’s interests overlap. Bad Romantic Comedies can be really tedious things, and many of my pet peeves about movies come from this genre. For example, my LEAST favorite romantic comedy cliche is the moment 10 minutes before the end of the movie where our loving couple has THE “big fight” (often over nothing or something completely stupid or forgettable), followed by one of the characters tearing off to the airport just so that the OTHER partner … Read entire article »
Filed under: Lesbian Films, Movies
ANGELS IN AMERICA 2003 TV MINI SERIES
Set in 1980s New York and subtitled “A Gay Fantasia on National Themes,” the six-hour ANGELS IN America concerns a group of largely gay men who find themselves caught up in series of disasters that range from love to religion and from politics to philosophy–and most specifically caught between the rising tide of AIDS and a generally unsympathetic society. In the midst of this, AIDS patient Prior Walter begins to have a series of visions, which may be fever dreams, medicine-induced hallucinations… or, most unnerving of all, real. His long dead ancestors rise to speak to him, the floor cracks open to reveal a burning book–and at the conclusion of the play’s first half a beautiful woman with majestic wings crashes through his roof. She is the Angel of America. He … Read entire article »
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